![]() Dean Fogg is described as portly, balding and quite pasty in Grossman's world in McNamara and Gamble's, he's played by the wildly compelling Rick Worthy. And not for nothing: just about every character is lily-white in Grossman's books, while SyFy's The Magicians boasts a beautifully diverse cast. They're all so funny and tragic, wonderful and awful, and most importantly, they're real. And Hale Appleman's Eliot, Arjun Gupta 's Penny and Trevor Einhorn 's Josh dance circles (sometimes literally) around their book counterparts. Jade Tailor 's Kady doesn't even exist in the books, though her closest corollary is probably the two-dimensional Poppy, but on the show she's crucial, the one person who understands Penny, who doesn't buy into Brakebills and Fillory as the end-all and be-all of existence.Įven the women who aren't cast regulars offer more substance than even leading characters on other shows, like Kacey Rohl as Marina, and Mageina Tovah as The Librarian. Janet's a lot of nothing in the book, and in the series, she's renamed as Margo (with a few winks to her source material name), and thanks to Summer Bishil, she's reborn, too, as one of the best characters on television: loyal and terrifying, hilarious, brilliant, at once glamorous and foul-mouthed. Olivia Taylor Dudley has an internalized fierceness that never feels put-upon or performed, and she gives Alice an almost frightening strength at times. ![]() She's angry and focused, powerful, talented, vulnerable, good. Julia, Quentin's childhood friend and first love who isn't accepted into Brakebills and therefore forges her own formidable path, is raped (by a trickster god, no less) in the second book of the series, The Magician King, and the rather pat way the author uses this trauma to define Julia for the rest of the series feels like an injustice to the character.Īlice is the most well-written non-Quentin character in the books, but she's still framed as his prize, his regret and his redemption, and on the show, she's much more. Josh, Eliot, Janet and Penny feel even less realized. While Grossman attempts to give us peeks into Julia and Alice's points of view, both are wan reflections of humanity next to the messy reality of Quentin. Everyone else is seen through Quentin's myopic perspective, especially when it comes to the women in his life. He's also the only character in the entire series we can describe that way. Quentin's a bit of a mopey asshole, yes, but he's a wholly actualized character, rich with motivation and color. So what makes the television series better than the novels, an almost sacrilegious statement among bookworm circles? Grossman writes Quentin with a remarkable amount of nuance and texture.
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![]() If the restaurant has toxic fumes and no ventilation, how the hell do you get customers to come in? What kind of dipshit managers do you have? Why don’t you report this to any number of government agencies who would require them to fix this problem? If tripping is a hazard, then there is no job on this earth that is not a hazardous job. “Running into people” is not a freaking hazard. Hazards… what a whiny bitch! Work in construction, and complain about hazards. Yes, in one sense, it takes some kind of skill. Guess what? THAT IS THE DEFINITION OF UNSKILLED. Any job listing will list it as “unskilled.” You said “Sure, you don’t have to have a degree or apprenticeship in order to wait tables”. Senior servers have the most stable schedules, but not everyone has the luxury or desire to slave away in a place for 15 years in order to get to that point.Īll of your descriptors sound like you’re describing an office job, rather than one in a restaurant. We were all essentially laid off for a 3-week period last fall, due to a massive business decline. Sometimes it evens out, but sometimes you don’t get many shifts for a month and you really feel the pinch. Some weeks are slim, which hurts come bill/rent time, some weeks are packed. This is true for all restaurants in which I’ve worked, and especially so for the places with 40-some servers on the payroll. What regular hours? What restaurant did you work in? I never know what my schedule will be like the next week, or how many hours I’ll be working. I mean, you kind of make this easy for me. Currently, I’m working in a place with an ancient cooling/heating system, so from May to September, I will be sweating to death in my uniform. just because you’re seated and cool doesn’t mean we’re comfortable. But that’s not all it’s cracked up to be. Yeah, generally we work inside in places with heat and a/c. I could go on, but you get the point.Ĭomfortable environment? That’s fairly subjective and I’m not sure what your criteria for ‘comfortable’ are. When I had a heavy wooden table fall on me in a storage closet, I quickly caught it with my right arm and pulled the tricep muscle so badly that I was still in pain months later. Not to mention the lasting physical damage we inflict on our bodies. I know people who have suffered lasting damage from chemical poisoning - where I work now, they use all sorts of toxic chemicals to refinish floors and such and there is no semblance of a decent ventilation system, so we all are breathing in fumes. I permanently injured my back at age 19 after some idiot left a mat flipped up, I tripped, and then fell on the tile. Slippery floors, chemicals, heavy trays, having to dodge other people, etc. Secondly, no hazards? WHAT? Yeah, we’re generally not operating heavy machinery, but there are plenty of hazards in food service. ![]() Not to mention the customer service aspect of it. It does take skill it takes patience, organization, quick math, juggling tasks, and physical and mental stamina, for a start. People think we’re no better than trained monkeys and it irritates me. The experienced servers are infinitely better. Sure, you don’t have to have a degree or apprenticeship in order to wait tables, but compare those who have served 5+ years as opposed to those just starting out. Unskilled job? Really? You say you’ve worked in food service, so you should know that this is not true. I can easily rebut all of the points made, second paragraph, first sentence. Look, I learned in my second year of college that sweeping generalizations are tantamount to a fallacious argument. * Most importantly, if you have a large group, always consider the amount of work it takes to handle such a group when determining your tip. ![]() * If you had excellent service, leave 20% or more. Most do not receive a paycheck and rely on tips alone. * Most servers make precisely the average amount it takes for that employee to pay his or her total income taxes. Leaving someone no tip it all may seem gratifying (is that ironic?), but all it does is rev up the apparently “rude” waitress for her next unfortunate customer.Īnd just a friendly rule of thumb for all restaurant-goers: ![]() Perhaps your server was skating on thin ice to begin with? Most likely, you’ll walk out happier than you would had you merely stiffed the employee, unless you’re the kind of person who enjoys such things. Not only will you feel better telling someone about it, but the feedback will be made aware to management and get back to the employee. Explain your situation and that your service was unsatisfactory. 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Seven: war on two fronts So, figuring they'd assume I was too busy to launch a follow up to my failed invasion, I sent a boat full of villagers to start building a castle on the empty coast of blue's island. ![]() I immediately started throwing up a cluster of panic barracks further inland to start churning out pikemen for the defence, but I was in danger of falling into an entirely defensive footing - if that happened, blue's economic lead would surely spell my doom. Inevitably, the invasion landed, and his knights swarmed one of my town centres like a load of big clanking wasps. Six: more missed opportunities, but the good kind This would prove to be a near-fatal error on my part. The ships were totally unguarded, but in a disaster of timing, I was micromanaging my economy back home when my fire ships engaged! They managed to kill two of the transports on instinct, but then just happily sailed away, presumably wishing the knights bon voyage as they departed. Lucky, my disruption fleet arrived on the back coast of blue's island right as four transports rammed with angry French knights set sail for my homeland. So I decided to use it to buy myself as much time as possible, splitting up my fleet and burning anything I could find within range of the coast. They had a massive economic lead now, with a full 25 villagers more than me, and I knew an invasion must be imminent. Oh no! Blue clocked my stable right as I started getting a tower up, and started knighting it to pieces. The blue knights, still mustering for an invasion, patrolled right past him and didn't notice! Four: frantic distractions But he devastated it, and started hammering together a stable out of sand and stuff. He had to fight a lion first, irritatingly. So I got a transport ship over to the bum end of blue's island ASAP, with a villager intent on building military buildings. Even more than other maps, team islands usually gets won by whichever player can spin the most plates at once, and keep their enemy feeling on the back foot. ![]() Still, when I saw blue hit castle age, I was determined to seize the initiative. Alas, because blue hadn't wasted resources on a navy, they hit the castle age first, and started booming hard, building extra town centres and getting a huge economic lead on me. I built a small fleet of fire ships to protect against naval assaults - but I'd bet wrong, as blue was focusing entirely on preparing for a knight-heavy beach landing. I'm quite good at this bit of the game, so I built up a decent economic lead. Since there wasn't going to be any early game aggression, we both zoomed towards the castle age as fast as possible, powered by tons of nutritious, boat-collected mackerel. We were fighting on "team islands", but since we had no teams, it was just islands, really. They were the Franks, in blue: an even better cavalry civ, with some rando axe dudes as a unique unit. I was the Persians, in red: a cracking cavalry civ, with good economy bonuses and a big bad fight elephant as a unique unit. FINAL PRODUCTS: The ability to create the final products you need separates HYPACK from the rest. ![]() Army Corps of Engineers to integrate water level corrections based on RTK GPS elevation info are a standard part of package. Routines developed by HYPACK from collaboration with the U.S. Sounding data is simultaneously displayed in plan, spreadsheet, and profile views with the channel design info drawn in the backgrounds. EDITING: The SINGLE BEAM EDITOR program is used to quickly review your survey data and to automatically and/or manually remove outliers. Survey data and windows can be broadcast over a network to any other computer or saved to a file using our Shared Memory Output routines. Data is logged with incredible precision (<1mSec). 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![]() We’ve also included detailed pages for each individual episode, which includes screen shots from the original episodes, episode summaries, next episode information, complete opening and ending credits, and much more. Select a story arc to view an episode-by-episode break-down of that specific arc, with additional information pertaining to the original broadcast run, filler content, and rating shares. Unfortunately, the series is often overlooked by fans and incorrectly thought of as nothing more than a small stepping stone to one of the most successfully popular action anime series of all time: Dragon Ball Z. Over the course of its three years the Dragon Ball series had come to a total of 153 episodes and three theatrical films, all of which were based on previously established events in the TV anime series. However, with the anime nearing one of the manga’s major turning points, the anime staff decided it was necessary to change the name of the anime series to denote such. As the story progressed, Dragon Ball transitioned from a gag series into a much more action-oriented series, further increasing the series’ popularity. Slump series as Toriyama had originally done in the manga, forever linking the two series. In March 1987, the Red Ribbon Army arc of the series featured a humorous cross-over with characters from the Dr. Son Gok, a fighter with a monkey tail, goes on a quest with an assortment of odd characters in search of the Dragon Balls, a set of crystals that can give its bearer anything they desire. Slump would remain to work on Dragon Ball, including Minoru Okazaki as series director, Shunsuke Kikuchi as musical composer, Keizō Shichijō as series planner, and Minoru Maeda as the chief animator. Dragon Ball: With Masako Nozawa, Jji Yanami, Brice Armstrong, Stephanie Nadolny. This time slot became known as the “Toriyama Block” among fans, as one of his series was broadcast in this specific time slot for over an astounding 18 years! ![]() The series took over the 7:00PM time slot every Wednesday on Fuji TV which was previously held by Toriyama’s other hit anime series, Dr. The first episode aired 26 February 1986, after the series first premiered in Weekly Shōnen Jump a little over a year earlier. Planning - Keizō Shichijō & Kōzō Morishitaįollowing the success and popularity of Akira Toriyama’s new manga series Dragon Ball, Toei Animation announced it would be creating an animated adaptation of the series. Series Director - Minoru Okazaki & Daisuke Nishio
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